Last Year in Utopia

Last Year in Utopia

by Jana Keuchel and Katharina Knust (73 min) 73 min | 2017

Last Year in Utopia documents an experimental set-up: a staged group media experiment, isolated from the outside world, is reconstructed on the site where the original events unfolded. The boundaries between autonomy and heteronomy dissolve in new role assignments as the film makes the power structure behind the artificially created utopia visible.

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Last Year in Utopia

A film by Jana Keuchel and Katharina Knust

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Press Last Year in Utopia

Last Year in Utopia charts the territory between documentary filmmaking and conceptual art in a way that questions both genres.
Copenhagen International Documentary Film Festival
All ideals are wasted in the hands of the wrong people with the wrong approach and it is everyone’s duty to keep active watch and question what they see in society.
ModernTimes

Synopsis

A remembered place. In a clearing in the woods, distances and journeys are reconstructed from memory; almost no traces remain. Only a year before, this site held a barn, a lake, cows, and a tall military fence — all of it artificially installed. Slowly, we follow the protagonists into the dense undergrowth of memory, into their experiences of a group experiment constructed for the media — controlled by an unseen force beyond the fence.

The audience becomes witness to an experimental arrangement, to abstract reenactments of everyday situations once captured on film. The film explores the overlap between a utopia that was genuinely lived and one designed by capitalism, creating a shifting dynamic between camera, performers, directors, observers, and participants. Fixed boundaries dissolve: who played which role then, and who sets the rules now? Where, in this intricate web of observation, staging, reenactment, and a new cinematic event, can reality be located?

“Last Year in Utopia” asks about role allocation, structures of power, and responsibility. What does equal opportunity mean in the universal pursuit of happiness — and is there any hope left for Utopia?

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