Deine schöne Hölle

Deine schöne Hölle

by Detlef Bothe (117 min) 117 min | 2023

Alicia, a narcissist with borderline tendencies, and Yann, drawn to emotional dependency, fall into a toxic relationship that turns him into her co-dependent. Unable to break free even as the affair wears him down, Yann watches it gradually consume his life.

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Deine schöne Hölle

A film by Detlef Bothe

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A film by
Detlef Bothe
Year
Runtime
117 min
Language
Format
2k DCP 5.1

Filmstills

Synopsis

Yann (50), a photographer and newly divorced, meets Alicia (38) in a bar. Their instant attraction soon becomes an affair. When Alicia leaves her husband and moves in with Yann, the relationship rapidly begins to unravel. Yann's twelve-year-old daughter Thilda, who lives with his ex-wife, instinctively rejects Alicia, whose behaviour swings between narcissism and borderline patterns. Despite his resistance, Yann is unable to cope with the situation. A chance encounter with Tabea (40), with whom he begins a sexual relationship, becomes an attempt at escape. His bond with Tabea deepens, yet he cannot sever himself from Alicia, who appears to be pregnant with his child; the relationship with Tabea collapses. Alicia, meanwhile, has fallen in love with another man. Psychological abysses, without a filter. A duel: narcissism meets co-dependency. In time, both protagonists spiral into depression, exhausted and resigned to one another.

Film review Deine schöne Hölle

Das mit knapp zwei Stunden überlange Werk gönnt keine Verschnaufpausen oder entlastende Momente. Die Figuren des depressiv-manisch anmutenden Dramas arbeiten sich schonungslos aneinander ab. Ihr verzweifeltes, auch selbstgefälliges Verharren in einer gnadenlosen Hölle verbreitet bittere Resignation.
Filmdienst
Die toxische Liebesgeschichte von Alicia (38) und Yann (50), die sich besser nie begegnet wären. Eine Narzisstin mit Borderline-Tendenzen trifft auf einen männlichen Suchtcharakter, der zu ihrem Co-Abhängigen wird.
Kino-Zeit
Deine schöne Hölle ist knapp zwei Stunden lang, hört aber nie auf zu wüten. Zu brennen. Weh zu tun. Der Film ist ein Stachel in der glatten Haut des Mainstream-Konsumenten, intensiv und gegen den Strich gebürstet.
Süddeutsche Zeitung

Cast

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